Cross-hatching, is a style that has been used in art making for many years by many civilisations. Its most common application in art making is in drawing where the artist wishes to 'fill' or shade a part of the artwork. Hatching is generally made by close parallel lines executed in drawing materials such as ink, pencil, charcoal, crayon, paint and the like, whereas cross-hatching is what it sounds like; another hatching pattern crossing the first one.
In Australian Aboriginal Art, the fine technique of cross-hatching (or 'Rarrk') has taken on a more structured and stylised appearance, and can have significant meaning when it is used in an artwork. It is used largely by the artists of the Northern Territory, and particularly in Arnhem Land in their bark or other fine work paintings.
The usual way Aboriginal artists achieve this is to pull a few strands of long human hair, hold them together at one end, dip them deep in the paint and then use the length of paint coated hair as a brush. The hair length is carefully pulled in a straight line across the surface of the artwork. The hairs, already straight with the weight of the paint, take the least line of resistance and straighten out perfectly, producing a fine, straight line. The process is repeated at regular intervals and then when this is dry, the same is done in the other direction. Aboriginal artists believe that these overlaid patterns of colour and line contain the power associated with that particular painting or story subject.
To view artists' work that we have in this style (click on the links below)
Eddie Blitner, Christine Burarrwanga, Reggie Sultan Apengarte
Cross-hatching or Rarrk painting
Cross-hatching, is a style that has been used in art making for many years by many civilisations. Its most common application in art making is in drawing where the artist wishes to 'fill' or shade a part of the artwork. Hatching is generally made by close parallel lines executed in drawing materials such as ink, pencil, charcoal, crayon, paint and the like, whereas cross-hatching is what it sounds like; another hatching pattern crossing the first one.
In Australian Aboriginal Art, the fine technique of cross-hatching (or 'Rarrk') has taken on a more structured and stylised appearance, and can have significant meaning when it is used in an artwork. It is used largely by the artists of the Northern Territory, and particularly in Arnhem Land in their bark or other fine work paintings.
The usual way Aboriginal artists achieve this is to pull a few strands of long human hair, hold them together at one end, dip them deep in the paint and then use the length of paint coated hair as a brush. The hair length is carefully pulled in a straight line across the surface of the artwork. The hairs, already straight with the weight of the paint, take the least line of resistance and straighten out perfectly, producing a fine, straight line. The process is repeated at regular intervals and then when this is dry, the same is done in the other direction. Aboriginal artists believe that these overlaid patterns of colour and line contain the power associated with that particular painting or story subject.
To view artists' work that we have in this style (click on the links below)
Eddie Blitner, Christine Burarrwanga, Reggie Sultan Apengarte